Tuesday, 10 December 2019

Tumourous


 Quite simply I was asked to do a cancer layer for the Textile Body. The format therefore would follow the grid of nine textile squares which could sit on top or amongst the other layers in the 'Body'.I worked with surgeons who deal specifically with cancers and was given access to theatre and to tumours that had been removed.
  However it was not beyond my imagination to know what was was wrong when it came to a piece of silk so I chose this piece of tabby coloured antique silk. It is very high quality with a very smooth surface and in some places the silk is discoloured. This was my queue for the first signs that something is wrong underneath. Snags, puckers and adhesions are not desirable in silk and  not in humans either. On the reverse of each square is a pocket in silk mousseline, the finest silk available.It is both very sheer and delicate. Inside each pocket I placed an object which was uncomfortable in colour, texture and usually juxtaposition thus being contextually 'wrong' too. They could all be felt through the silk.





   Mostly it was hard to guess what they were before seeing them but when medically examined the diagnoses were largely the same. ''Unnatural mass'' and ''this is the sort of thing where you have to control the expression on your face'' were two early comments.



   One though was designed to be unseen, a gist (gastro-intestinal-stromal-tumour). I had been allowed to examine one after surgery, it was like a malevolent brain with its' own blood vessels and a texture of cauliflower and dense goo all in a membrane. They can remain benign unless ruptured so I imagined the monster lurking within and recreated it.


   Two rubber finger monsters and a plastic flower did the job, all compressed into a silk pouch and secreted between two layers of pleated silk pocket. It can be removed by untying a white ribbon and carefully sliding it out from the pleats.
   Many thanks to surgeons Chris Peters, Tamzin Cuming, Sam Gallivan and Roger Kneebone  for their advice on this piece. It has already been used to engage young adults interested in going into medicine at a yearly event at the Wellcome collection as part of the Saturday Studio programme.

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